Posts Tagged ‘Scotland’

Brian Monteith: You can stick that in your pipe and smoke it

Thursday, March 11th, 2010

edinburghnews.scotsman.com

Published Date: 11 March 2010
By Brian Monteith

IT WAS all going to be so beautiful in Holyrood’s Walt Disney world where politicians know best, tell us what is and isn’t good for us – and when we fail to listen, bully us into submission.

Yesterday was No Smoking Day, so I lit up my pipe in protest.

I remember when First Minister Jack McConnell, cheered on enthusiastically by Nicola Sturgeon, told us how our brave new world, this modern Scotland, would ban smoking in enclosed public spaces, de-normalising smoking so that fewer people would inhale tobacco.

I myself had no problem with extending smoking bans in enclosed public places, except that I objected to the tone of the approach – the abuse of smokers by making them pariahs would not have been allowed if they were another minority such as homosexuals, Jews or Pakistanis – and nor did I agree that private businesses such as pubs, restaurants and especially clubs were public places. They were private domains where the licensee had the authority to refuse entry.

The defenders of lifestyle management and social engineering – the Liberal Democrats, Labour and the Scottish Nationalists – told us to ignore the economic threats that the hospitality trade feared would engulf them. The fall in smoking and an improvement in the nation’s health would be worth it.

Before the ban was debated, I attended a one-day seminar at a hotel right next door to the Holyrood parliament hosted by the Scottish licensed trade. All 129 MSPs were invited to come and meet publicans and hoteliers from their constituencies. I was the only MSP to turn up.

The Health Bill was passed with great celebration by the bullies and their hangers on. After a year from the introduction of the ban in March 2006, a seminar was organised in Edinburgh to tell the world how Scotland was leading the way in tobacco control – more trumpets blared when an unbelievable drop in heart attacks by 17 per cent was proclaimed.

It was unbelievable because it was a lie, and it wasn’t the first to be told.

In fact, the truth can be found on Chris Snowdon’s website velvetgloveiron fist.com, but it’s rather long and complex so, to put it simply, the health statistics were distorted and did not compare lemons in 2006 with lemons in 2007 – they compared lemons in 2006 with cucumbers in 2007.

Similar claims about a fall in smoking rates were exposed last month. Rather than the big fall that was claimed, the Office of National Statistics has revealed the number of smokers in Scotland fell from 25 per cent before the ban to 24 per cent after it. As smoking has been falling for the last 20 years, this change is of no statistical significance and cannot be attributed to the ban.

Now the truth about the effect on our licensed trade is out in the open, too – on Monday, we were told that three Scottish pubs are closing every week and it is the community-based pubs that are closing the most.

I’m not going to try and claim that all of the problems that our pubs face are due to the smoking ban. They face new and complex legislation that was meant to make licensing simple but it has ended up more complicated and more costly.

They have been banned from having any drinks promotions such as happy hours or a half and a nip for pensioners on quiet afternoons, and let’s not forget people have less in their pockets to spend. Any one of these would be a burden, but all three and the smoking ban? It’s just too much for some and they are closing.

The reason is simple – booze in supermarkets is cheap, can be promoted legally with discounts and people can still smoke and drink at home. I remember warning this would cause far more fires at home – scaremongering I was accused of – but the sad fact is that deaths from fires caused at home by cigarettes have doubled.

Politicians remain in denial, they will not accept the smoking ban as a contributory factor to pub closures, nor do they admit that the health gains have been exaggerated and they go all quiet when you mention that the number of smokers refuses to fall or the deaths from fires.

Instead, they become more extreme in their reactions – banning cigarettes out of sight in newsagents, urging more tax hikes and thinking of how to ban it in cars and at home, using the presence of children as the excuse.

Not content with demonising smoking tobacco, they now demonise drinking alcohol, consuming fatty foods and other behaviours they think they know better about. Without a doubt, we will end up with more alcoholics and more fatties as every descent into prohibition has shown.

The smoking ban has given us some nicer pubs with clean air by pushing smokers out into the streets. It could have been achieved without a ban by asking pubs to meet clean air standards.

We would then have fewer pubs closing, fewer deaths from home fires and still have achieved a slow but falling rate of smokers. I’m away to enjoy my pipe.

Put that in your pipe…

Sunday, February 28th, 2010

The Northern Echo

10:54am Saturday 27th February 2010

BROTHERS IN ARMS: Graham Seed, right, with Adam Best in Journey’s End

MOST actors are recognised by their looks.

Graham Seed is more likely to hear “Don’t I know you?”

when he speaks. “I have a distinctive voice,” he admits. “When I’m in the supermarket, housewives will do a double take and say, ‘Are you Nigel?’.”

For the past 28 years he’s been the voice of Nigel Pargetter in BBC Radio 4’s everyday story of country folk The Archers. He refers to it as “a long-running soap that occasionally employs me” as recording only takes up six days a month.

The rest of the time he’s free to do other acting work, and that’s vital because Nigel has been going through a dull patch as happens in soaps. “For the past five or six years Nigel hasn’t been the principal character he was for years,” he says.

“I don’t know whether that’s because of the storylines or the fact there are a lot of younger characters in it. I’ve not been as busy as I like or would hope. I’ve always been lucky I’ve kept up the theatre and television career. I like to juggle things. That sounds awfully pompous.”

Occupying his attention at present is a tour – including a date at Durham Gala theatre – of R C Sherriff ’s First World War play Journey’s End. He was in rehearsal when we spoke and Seed was fuming, fittingly enough over a smoking issue.

Osborne, an older father figure to the other young men in the trenches, smokes a pipe, but health and safety issues are at stake. Scotland won’t have any smoking on stage (“even though there are lines in the script when I talk about my pipe”) and he’d just heard that smoking on stage in other venues would depend on the local authority’s attitude.

“It’s terribly frustrating because I’ve been rehearsing with my pipe. I can’t see why smoking it should be disallowed. Before long we won’t be able to say ‘is this a dagger I see before me’ because of knife crime.

“I hate smoking but feel a tremendous duty as an actor to portray the society as written. We’ve pulled most of the cigarette smoking out of the show. I feel very strongly about keeping the play Sherriff wrote.”

He’s equally passionate about smallscale touring, a category into which the Original Theatre Company and Icarus Theatre Collective production of Journey’s End falls.

“Acting is my livelihood and I like the idea of taking good plays to small cities and towns. I adored the play and asked my agent to suggest me for it.

“When you are approaching 60 if there’s a good part offered you must grab it. But it’s a bit scary and stretching me.

“It’s funny as an actor because for years I was always the youngest in the company and now I’m the oldest. You think, ‘Will the young actors want to go and drink with me in the pub?’.”

He was playing a hooray Henry in Shaw’s Major Barbara in Birmingham, where The Archers is recorded, when the programme’s producer William Smethurst came calling. He wanted to inject some comedy into the series and felt Seed as Nigel was the person to do that.

HE’S known of Journey’s End since his schooldays because the first poetry he ever liked was “World War One poetry about how futile war is”.

With people still dying in Afghanistan, he feels the play is as relevant today as it ever was.

When he trained at Rada in the late Sixties, the idea was always that you were going into the theatre. “It’s funny, there’s a whole generation of young actors having never done theatre or have any desire to do theatre. I find that sad because they’re really missing out.

“Now they have to get into the movies and get recognised. It’s a long haul as a profession.

“I love the family feeling about the theatre.

We go to work in the evening and it’s like a team, you become a team player.

You knuckle down and tell a story to people who are making a huge effort to go out and visit the theatre.”

- Journey’s End: Durham Gala Theatre, March 11-13. Tickets 0191-332-4041 and online galadurham.co.uk